  {"id":32419,"date":"2018-11-13T15:07:57","date_gmt":"2018-11-13T20:07:57","guid":{"rendered":"https:\/\/digital.hbs.edu\/platform-rctom\/submission\/spotify\/"},"modified":"2018-11-13T16:24:13","modified_gmt":"2018-11-13T21:24:13","slug":"thank-you-for-the-music-spotify-and-algorithmic-music-curation","status":"publish","type":"hck-submission","link":"https:\/\/d3.harvard.edu\/platform-rctom\/submission\/thank-you-for-the-music-spotify-and-algorithmic-music-curation\/","title":{"rendered":"\u201cThank You for the Music\u201d: Spotify and algorithmic music curation"},"content":{"rendered":"<blockquote>\n<h2><em>\u201cAlgorithms alone can\u2019t do that emotional task. You need a human touch.\u201d<\/em> &#8211; Jimmy Iovine, Apple Music<\/h2>\n<h2><em>\u201cSpotify understands users better than anyone else&#8230; We\u2019re the biggest in terms of streaming data to bring the personalization necessary to make this feature work.\u201d<\/em> &#8211; Edward Newett, Spotify<\/h2>\n<\/blockquote>\n<p><strong>The Curation Problem<\/strong><\/p>\n<p>Music streaming services promise users the world, with millions of songs available at any moment. But while early-adopter music enthusiasts might do their own playlisting, casual listeners need more guidance. Curation is the most important way streaming services can differentiate themselves, helping users discover music and keeping them engaged.<\/p>\n<p>Both humans and machines can support music discovery. According to Apple\u2019s Jimmy Iovine, \u201cAlgorithms alone can\u2019t do that emotional task. You need a human touch.\u201d[1] Other content industries like film and journalism rely heavily on human curation. But Spotify has built a sustained competitive advantage in music through its algorithms, providing users with exactly the right music at the right moment. As more and more users join the service, Spotify can better map music tastes across the globe, providing richer personalization at scale versus competitors who rely on human editors. Since its founding, Spotify has remained steadfast in its commitment to technological solutions to the curation problem.<\/p>\n<figure id=\"attachment_32539\" aria-describedby=\"caption-attachment-32539\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-32539\" src=\"https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly-1024x374.png\" alt=\"\" width=\"760\" height=\"278\" srcset=\"https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly-1024x374.png 1024w, https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly-300x110.png 300w, https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly-768x281.png 768w, https:\/\/d3.harvard.edu\/platform-rctom\/wp-content\/uploads\/sites\/4\/2018\/11\/Discover-Weekly-600x219.png 600w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/a><figcaption id=\"caption-attachment-32539\" class=\"wp-caption-text\">Spotify&#8217;s website describes Discover Weekly as &#8220;the playlist made just for you, every Monday.&#8221;<\/figcaption><\/figure>\n<p><strong>Innovation at Spotify<\/strong><\/p>\n<p>Spotify\u2019s primary path to innovation has been through acquisition. The Echo Nest\u2019s unique set of data tags for over 30 million songs provided Spotify the requisite fuel for algorithmically-driven playlists when it was acquired in 2014. Since then, Spotify has continued to acqui-hire advances in machine learning, music cataloging, search, and personalization, through companies including Seed Scientific (2015), Niland (2017), and Sonalytic (2017). Rather than silo these teams, Spotify has placed their employees in charge of some of their largest curation projects. [2]<\/p>\n<p>Discover Weekly, Spotify\u2019s first major personalization product, launched in 2015, powered by the technology of The Echo Nest. The algorithm finds other users with similar taste profiles who have built playlists featuring music in the user\u2019s taste, pulling songs from those playlists the user has not listened to. It then filters those songs by the user\u2019s areas of affinity and exploration. [3] The final result is far more interesting than basic collaborative filtering, delighting users and keeping them engaged with Spotify. This creates a virtuous cycle as higher user engagement yields more data points that can further improve Spotify\u2019s unsupervised machine learning models.<\/p>\n<p>Spotify has since developed additional discovery and recommendation products including Daily Mix and Release Radar. These playlists drive the majority of listening, with only 36% of Spotify listening hours coming from user-generated playlists. [4]<\/p>\n<p><iframe loading=\"lazy\" title=\"The Science Behind Spotify&#039;s Discover Weekly\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/N_U4tEh9p_8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>The Road Ahead<\/strong><\/p>\n<p>Competitors like Soundcloud have copied Spotify\u2019s most successful discovery features, but Spotify\u2019s wealth of song-level and user-level data keeps it ahead of the game. Today, 170 million users and 75 million paid subscribers provide constant input; every day, Spotify queries 5PB of its 200PB data stored, versus 3PB of 60PB at Netflix. [5] And the company believes this advantage will endure: according to Edward Newett, lead engineer of Release Radar, \u201cSpotify understands users better than anyone else. I think over time we\u2019ll see other music services building Discover Weekly clones, but I think Spotify still has a leg up. We\u2019re the first to be solving this. We\u2019re the biggest in terms of streaming data to bring the personalization necessary to make this feature work.\u201d [6] Looking ahead, the company must continue to leverage the scale and diversity of its user base to build even larger data sets for increased machine learning.<\/p>\n<p>Spotify is also likely to collect additional data from users. Smartphone and wearable technology could provide inputs that could revolutionize Spotify\u2019s recommendation engines, determining a user\u2019s ideal music choice for a given situation or mood. Are they commuting to work, or traveling somewhere new? Are they at the beach, on the treadmill, or on the couch? How fast is their heart beating? Data-driven personalization is the key to keeping Spotify ahead of its competitors, so it must expand the types of inputs to its models. Today it relies on users to manually input basic information on mood or genre, but one day soon, Spotify will divine the answer without user intervention, providing even more value to subscribers. [7]<\/p>\n<blockquote>\n<h2><em>Are algorithms narrowing the diversity of our listening, making users happy, but boring?<\/em><\/h2>\n<\/blockquote>\n<p>In the coming years, Spotify must also refine how it treats power-users and less frequent users. Spotify\u2019s algorithms have the potential to misread users\u2019 tastes or pigeon-hole them into a narrow lane of content if they do not stream enough content to provide sufficient data points. While these issues usually resolve over time with more consumption, the team must consider how to best deliver user-driven and editorial-driven personalization alongside machine-driven solutions. Perhaps curation can\u2019t be solved by machines alone.<\/p>\n<p><strong>The Future of Music<\/strong><\/p>\n<p>Spotify must reckon with how the service is impacting global music consumption. Are songs too close to what we already like crowding out the potential of new bolder music we don\u2019t yet know we would like? Are algorithms narrowing the diversity of our listening, forcing everyone towards the same thing, making listeners happy, but boring? \u00a0(792 words)<\/p>\n<p><strong>Endnotes<\/strong><\/p>\n<ol>\n<li>Ben Thompson, \u201cCuration and Algorithms,\u201d Stratechery (blog), June 24, 2015, <a href=\"https:\/\/stratechery.com\/2015\/curation-and-algorithms\/\">https:\/\/stratechery.com\/2015\/curation-and-algorithms\/<\/a>, accessed November 2018.<\/li>\n<li>Ben Popper, \u201cHow Spotify\u2019s Discover Weekly cracked human curation at internet scale,\u201d <em>The Verge<\/em>, September 30, 2015, <a href=\"https:\/\/www.theverge.com\/2015\/9\/30\/9416579\/spotify-discover-weekly-online-music-curation-interview\">https:\/\/www.theverge.com\/2015\/9\/30\/9416579\/spotify-discover-weekly-online-music-curation-interview<\/a>, accessed November 2018.<\/li>\n<li>Ben Popper, \u201cHow Spotify\u2019s Discover Weekly cracked human curation at internet scale,\u201d <em>The Verge<\/em>, September 30, 2015, <a href=\"https:\/\/www.theverge.com\/2015\/9\/30\/9416579\/spotify-discover-weekly-online-music-curation-interview\">https:\/\/www.theverge.com\/2015\/9\/30\/9416579\/spotify-discover-weekly-online-music-curation-interview<\/a>, accessed November 2018.<\/li>\n<li>P. Morgan North American Equity Research, \u201cSpotify,\u201d April 30, 2018.<\/li>\n<li>P. Morgan North American Equity Research, \u201cSpotify,\u201d April 30, 2018.<\/li>\n<li>Josh Constine, \u201cSpotify follows Discover Weekly with personalized new releases playlist,\u201d <em>Tech Crunch<\/em>, August 5 2016, <a href=\"https:\/\/techcrunch.com\/2016\/08\/05\/spotify-release-radar\/\">https:\/\/techcrunch.com\/2016\/08\/05\/spotify-release-radar\/<\/a>, accessed November 2018.<\/li>\n<li>Nic Fildes, \u201cRise of the robot music industry,\u201d <em>Financial Times<\/em>, December 2, 2016, <a href=\"https:\/\/www.ft.com\/content\/5ac0ff84-b7d9-11e6-961e-a1acd97f622d\">https:\/\/www.ft.com\/content\/5ac0ff84-b7d9-11e6-961e-a1acd97f622d<\/a>, accessed November 2018.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Spotify&#039;s commitment to algorithmic music curation has made it an industry-leading streaming platform, providing users with exactly the right music at the right moment. But can it sustain this advantage as the service grows?<\/p>\n","protected":false},"author":11239,"featured_media":33253,"comment_status":"open","ping_status":"closed","template":"","categories":[537,346,249,4252,4367,2738,147,2484],"class_list":["post-32419","hck-submission","type-hck-submission","status-publish","has-post-thumbnail","hentry","category-curation","category-machine-learning","category-music","category-recommendation","category-recommendation-engine","category-spotify","category-streaming","category-streaming-services","hck-taxonomy-organization-spotify","hck-taxonomy-industry-music","hck-taxonomy-country-sweden"],"connected_submission_link":"https:\/\/d3.harvard.edu\/platform-rctom\/assignment\/rc-tom-challenge-2018\/","yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cThank You for the Music\u201d: Spotify and algorithmic music curation - Technology and Operations Management<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/d3.harvard.edu\/platform-rctom\/submission\/thank-you-for-the-music-spotify-and-algorithmic-music-curation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cThank You for the Music\u201d: Spotify and algorithmic music curation - Technology and Operations Management\" \/>\n<meta property=\"og:description\" content=\"Spotify&#039;s commitment to algorithmic music curation has made it an industry-leading streaming platform, providing users with exactly the right music at the right moment. 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